The Pre-Islamic Poet and His Objective Correlative: The Description of the Qaṭā Bird (as a Model)

An Analysis of the Structure of the Poetic Image and Its Meanings in Light of the Qaṭā Model

Abstract

The ignorant poet and the description of sandgrouse ‘with its intellectual and psychological dimensions’’ the ignorant man realized that the possession and the use of speed can only be in a position it calls. This means that the poet’s needs and feelings were behind the bird’s depiction in his poetry, so one feels, when following the bird’s characteristics, that he is actually following the man’s movement and penetrating in his inside. The poet’s use of sandgrouse, and making it a principal equivalent for him, ha dits own intellectual and psychological implication, that were imposed by the occasion and the nature of the event.